Something a bit new for me – two free tickets to an event called ‘Masterpiece 2015, London’, held in the grounds of the Royal Hospital, Chelsea. On grass barely recovering from the Chelsea Flower Show, a vast marquee has been erected, with one face cunningly disguised as a long brick building of perhaps Queen Anne or Georgian appearance. How did they do that? It looked like a gigantic photograph of a real house, only slightly spoilt by a portico that didnt really go with it – someone’s idea of a home improvement deriving from tastes more appropriate to Chigwell than Chelsea I reckon. I’m no expert. It was a tad spooky to see this pop-up building sitting there in the evening sun at a rakish angle on the hottest July day in London since the dawn of time, or some such. Apparently it’s there for 41 days, most of which are spent putting the 12000 sq metre show together and taking it all away again afterwards. It has 2200 internal walls.
Inside was air conditioned, thankfully. Our bags were searched, and we puzzled over why folk were being asked if they were carrying any personal jewellery. The show itself was vast, comprising aisles of instant art galleries, antique dealers, jewellers and so forth, from all over the world it seemed, including Pimlico around the corner. What’s more there were mini-me versions of London restaurants like Scotts (where Nigella and Satchi had their alleged difference of opinion a while back), Le Caprice and the Ivy, all doing good business. International collectors and museum curators get a preview day at the fair, after which its open to ticket holders for just seven days. Quite honestly, I found it all rather amazing.
I’d worn the wrong shoes for this and opted out of the tour about half way round the vast number of stands and found a seat to sit and watch the comings and goings – what a wuss! It’s not the sort of place where one walks out carrying ones purchases in a carrier bag, since prices seem to start at around £180,000 and I think the dealers like to wait ’til the cheque has cleared before they take the oil painting off the wall and apply the string and brown paper. So most people seemed to be carrying only their drinks (mostly white wine – if it was being handed out free somewhere I missed it, damn!). I’d expected the folk to be wealthy, but there were few signs of conspicuous consumption and while many were smartly turned out, many were not.
It did bring home how international this city is, and how many more livelihoods now depend to some degree on the fact that London is such a magnet to the wealthy these days. All those shopfitters, catering staff, taxi-drivers, security guards, plus the young girls handing out the magazines and whatnots, only benefit from the jobs created by this craziness. One worries about our economic dependence on such things of course…what if the rich all decide to go to Stuttgart or something (only joking!).
I fancied a rather nice soldier’s helmet, Greek, from the Bronze Age perhaps, as it was bronze. Maybe 3000 years old. Talk about iconic…this wasn’t the one but it’s not dissimilar
I didn’t ask the price, because if you have to ask then you can’t afford it. I had to walk on by. On our way out, our bags were searched again, and the personal jewellery question earlier the evening then made sense. I surrendered all the Patek Phillipe watches I’d inadvertently picked up without thinking, as one does. We walked to the bus stop, and eventually had a slightly uncomfortable meal in Villiers Street, wiping our sweating faces with our napkins, which probably isn’t the done thing even in Villiers Street, whose slightly scruffy,even smelly, vibe I have always liked.